WHAT WOULD JOSEY WALES DO?

“Now remember, when things look bad and it looks like you’re not gonna make it, then you gotta get mean. I mean plumb, mad-dog mean. ‘Cause if you lose your head and you give up then you neither live nor win. That’s just the way it is.” – Josey Wales

“To hell with them fellas. Buzzards gotta eat, same as worms.” – Josey Wales

As our political, economic, civic, and social structures continue to degrade, dissolve, and disintegrate before our very eyes, it is easy to become apathetic and surrender to hopelessness. There are relentless powerful forces actively trying to destroy the fabric of our society and force the masses into economic servitude while caged in an electronic gulag, controlled by an oligarchy of evil totalitarian minded billionaires and their lackeys in key governmental, political, banking, military, media, and corporate positions of power. We are in the same situation as Josey Wales in Clint Eastwood’s epic 1976 film – The Outlaw Josey Wales.

The film tells the story of Josey Wales, a Missouri farmer, just trying to live his life in peace without interference from the government, uninterested in the violent Civil War between two monolithic forces fighting for their created causes.  His wife and son are brutally murdered by Union Redleg militants, led by the despicable  Captain Terrill, while he was away from his homestead. After burying his family, his mind naturally turns towards seeking revenge against the perpetrators, and he begins to practice shooting. He joins a group of pro-Confederate bushwackers who become the scourge of Union forces until the war’s conclusion.

At the conclusion of the war, Josey’s friend and superior, Captain Fletcher, persuades the guerrillas to surrender, having been promised by Senator Lane that they will be granted amnesty if they hand over their weapons. Josey refuses to surrender because he knows you can never trust the government or the politicians who make promises they never keep. They have been pissing down our backs since the last Civil War, while telling us it’s just raining, so everyone can relate to this scene in the movie.

Senator: The war’s over. Our side won the war. Now we must busy ourselves winning the peace. And Fletcher, there’s an old saying: To the victors belong the spoils.
Fletcher: There’s another old saying, Senator: Don’t piss down my back and tell me it’s raining.

Wales having refused to surrender, along with a young guerrilla named Jamie, are the only survivors when Terrill’s Redlegs massacre the surrendering men. Wales intervenes and wipes out many of the Redlegs with a Gatling gun before fleeing with Jamie, who dies from a bullet wound sustained in the massacre after helping Josey kill two pursuing bounty hunters.

Fletcher learns the lesson that you can never trust the government, or the lackeys carrying out their mandates. They will lie and murder to accomplish their goals. Anyone who does not bow to their authority will be treated as an outlaw, with no acquiescence to the Constitution, decency, or simple human dignity.  Once decent men are pushed too far, they will push back in a more violent manner than the authorities will expect. Violence begets violence, and will create more Josey Wales type characters who will not surrender or ever bow down to governmental authority.

Fletcher: Damn you, Senator. You promised me those men would be decently treated.
Senator Lane: They were decently treated. They were decently fed and then they were decently shot. Those men are common outlaws, nothing more.

The remainder of the movie entails Union soldiers and bounty hunters trying to track and  kill Josey, while he accumulates a rag-tag group of companions, including Indians,  foul mouthed grannies, and a slew of other settlers trying to live their lives unhindered by the government. Clint Eastwood’s character maintains a stoic meanness throughout the film towards his government enabled enemies, but has empathy and kindheartedness towards the downtrodden people who represent the vast majority of citizens in this country.

I found it interesting  the film was based on the novel Gone to Texas, written with a virulent anti-government slant by a former George Wallace speechwriter. When the script writer/director tried to tone down the anti-government aspects, Eastwood told him no and eventually fired him, taking over as director for the remainder of the film. Eastwood’s refusal to bow to Hollywood pressure and soften the dialogue and story line is a tribute to his resolute dislike and mistrust of governmental authorities. He has essentially gone his own way and made his films his way, never letting the Hollywood elite dictate his path.

Released in 1976 when anti-war sentiment was at its peak, following the government created Vietnam war debacle, which slaughtered over 50,000 American boys, Eastwood later referred to it as an anti-war film. And we all know it is governments and those Deep State operatives who control the levers of power, and start wars to increase their wealth, power and control. War never ends because it is extremely profitable for those waging it, while the youth doing the fighting are just cannon fodder for corporate interests. Eastwood was dead on, as we have waged wars in Iraq, Afghanistan, Syria, Libya, and now Ukraine and Palestine, benefiting the military industrial complex at the expense of you and me.

“As for Josey Wales, I saw the parallels to the modern day at that time. Everybody gets tired of it, but it never ends. A war is a horrible thing.” – Clint Eastwood

Eastwood equates the plight of the Confederacy with the plight of the American Indian, as both groups were bullied, bloodied and crushed under the weight of the Federal government, which began its unfettered growth during the Civil War and has now reached its zenith of incompetence, arrogance, lawlessness, and hatred towards the citizens it is supposed to serve. Most people just want to be left alone, like Josey Wales, to live their lives in peace and harmony with their fellow community members. But the federal government makes that impossible, with their rules, regulations, taxes, fees, and enforcement thugs harassing the public on a daily basis.

In Eastwood’s movie they murder his family, murder his comrades, and are hell-bent on murdering him. The song remains the same. Our government murdered people minding their own business at Ruby Ridge. They murdered women and children at Waco. They murdered a rancher at Bundy Ranch. They send young men to war for bankers and corporations. They have been unlawfully imprisoning protestors in dungeons for a fake insurrection fomented and initiated by government agents. They rigged the presidential election and have convicted the leading political candidate of fake crimes he did not commit in order to maintain control over the political system.

The list could go on for pages, as the totalitarian methods and abuse of power against the citizens of this country accelerate at a breakneck pace. Fear of seeing their wealth and power slip away has created an almost psychotic spasm of unhindered chaotic flailing about, in an ultimately fruitless effort to retain control. They are fearful of the masses wakening from their technology induced slumber and realizing the enemy is not the groups they have been programmed to hate, but the very government pulling the strings of this clownshow.

The government needs a sedated, dumbed down populace who fear what they are told to fear and obey the instructions of their overlords. But the covid scamdemic and continuing death of loved ones from the toxic jabs, has opened the eyes of millions. The debt death spiral induced by Biden’s handlers, supercharged by the coordinated and financed invasion of our southern border by third world mutts, and resulting in raging inflation for average American families, has angered and infuriated the masses. We are approaching our moment of truth.

The government is in the midst of creating millions of vengeful Josey Wales characters. As political chaos increases in the coming months, the threat of global conflagration escalates and the economic plight of the masses deteriorates, revenge against politicians, government drones, and the globalist financial elite for creating this madness will expand rapidly. We know what Josey Wales would do. The question is what will we do.

Eastwood made his final Western masterpiece, sixteen years after Josey Wales, with the release of the Academy Award winning Unforgiven. He paid tribute to Josey Wales in the climactic scene in the saloon when confronting Little Bill. In The Outlaw Josey Wales Grandma Sarah’s initial reaction to meeting Josey Wales was:

“This Mr. Wales is a cold-blooded killer. He’s from Missouri, where they’re all known to be killers of innocent men, women and children.”

He closes the loop with Will Munny, out of Missouri, with the same false accusation that he killed women and children, as he also seeks retribution on government authoritarians who murdered an innocent man. Both Josey Wales and Will Munny tried to live out their lives as peaceful farmers, but were forced to revert to violence because the government would not allow them to live in peace.

Little Bill Daggett : “You’d be William Munny out of Missouri. Killer of women and children.”

Will Munny : “That’s right. I’ve killed women and children. I’ve killed just about everything that walks or crawled at one time or another. And I’m here to kill you, Little Bill, for what you did to Ned.”

Eastwood’s first and last epic Westerns both examined the harsh reality of violence and retribution as the logical consequence for crimes committed against innocent people just trying to lives their lives. His meditations on the concepts of age, repute, courage, and the cloudy definition of heroism, make for far deeper and complex examinations of the old West than other western films. Eastwood distinguishes between the brutal reality of a world controlled and run by tyrannical psychopaths acting as government agents, and people living peacefully, with no government intervention.

Eastwood’s ideal vision of America as a pluralist society of individualists of all races and backgrounds who put aside the past and their difference to live in harmony, contrasts with the reality of a society controlled and manipulated by those referred to as the “invisible government” by Edward Bernays. The ruling elite do not want people to live peaceably in a self reliant manner. The climactic scene in Outlaw Josey Wales between Josey Wales and Ten Bears captures the nature of our world and the difference between governments and the people.

I had previously used Josey Wales as the basis for Part Four of my five part series based on Clint Eastwood movies in 2012, documenting how the Federal Reserve, under the control of the Wall Street banking cabal, had destroyed the middle class and set in motion the ultimate destruction of the American economic system. Here we are twelve years later and that destruction is approaching its climax. As the powers that be are flailing about in a final destructive apocalyptic spasm of hate, greed, and war, the average American needs to channel their inner Josey Wales.

We can either give up and allow those running this shitshow for their own benefit to enslave us in perpetual debt, culling us with their toxic “vaccines”, making us eat meatless meat and bugs, forcing us into their digital currencies, 15 minute cities (aka electronic gulags), electric cars, and social credit system, or we can get plumb, mad-dog mean and man up. In order to reverse our totalitarian spiral, being executed by  powerful mega-wealthy men and their highly compensated double tongued lackey politicians, bankers, media moguls, and corporate chiefs, those 300 million guns will need to be put to use.

If we want to live together peacefully, unhindered by an overbearing, corrupt government behemoth, controlled by evil men with evil intentions, then we will have to fight. That’s just the way it is. Ask yourself, “What would Josey Wales do?”, and act accordingly.

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